Jul 21, 2020 | Blog, Technical Articles, SPAT Revolution Technical Articles, Immersive, Tips, SPAT Revolution
Using binaural audio means dealing with HRTFs. In the HRTF section in the Spat Revolution preferences menu, you can access and manage HRTFs. The HRTF used by default is Kemar, which can of course be changed and another HRTF can be set up as default instead. In the...
Jul 21, 2020 | Immersive, Blog, Technical Articles, SPAT Revolution Technical Articles, Tips, SPAT Revolution
Using the generic Kemar HRTF provided as a default for binaural in Spat Revolution, or downloading any of the popular HRTFs used in 360/VR pipelines such as the Neumann KU 100, is where binaural starts. Achieving a more accurate and reliable monitoring experience,...
Jul 21, 2020 | Technical Articles, SPAT Revolution Technical Articles, Immersive, Blog, Tips, SPAT Revolution
Using the generic Kemar HRTF provided as a default for binaural in Spat Revolution, or downloading any of the popular HRTFs used in 360/VR pipelines such as the Neumann KU 100, is where binaural starts. Achieving a more accurate and reliable monitoring experience,...
Jul 21, 2020 | Processing tools, Analysis, Immersive, Blog, News & Press, SPAT Revolution
FLUX:: Immersive Studio at Showmedia in Montreal is now available for object-based mixing and immersive audio productions. The facility is equipped for training, pre-production mixing, auralization/virtualization and live production mixing for spatial audio streaming...
Jun 12, 2020 | SPAT Revolution Technical Articles, Immersive, Blog, Events, Community, SPAT Revolution, Uncategorized
From Pre-Production to Live Show at the 360 Paris Music Factory Democracy for Immersive Audio – Introducing the use of immersive audio in a performing arts venue is not a crazy exclusive scientific stunt, and not something that is out of reach today. In the...
May 21, 2020 | SPAT Revolution User Stories, Immersive, Blog, Community, User Stories, SPAT Revolution
Berlin, Germany—April 2020… Given his background mixing front-of-house for rock bands, it’s no surprise that when Sphereo sound designer and 3D audio operator Jonas Gehrmann discusses immersive audio, he focuses a lot on music use cases. “In the end, immersive audio...
